Wednesday, December 30, 2009

the medicine
won't let me cry
i feel nothing
until the scraping
on my hand draws 
blood

(i stare until it stops)
the hot kettle 
makes the hiss
of a burn
but i want only
for it to burn hotter 
and deeper
longer even
it's  never long enough

i cough under the sneeze-shield
at the salad bar
and throw caution to the wind
when i grab an unsuspecting
door knob or gate handle
that cold metal and all it harbors
as danger is what feels good on
my skin

had a man once
that liked me
this way
but it got old to him
too frustrating he said
i was "whack" is the way he put it
i slapped that bastard so hard
he couldn't breathe. he ordered me 
out but i'd already left him i decided
his little pissant outlook angered me
often.

i cut his plants into little bits
after i said goodbye. i waited for him
to go to work and i carved up those beloved
bromeliad pups into little origamis. wonder 
what he thought on his return. i made my way to 
the trestle and that song
my mom used to play me 
when i was a child
kept swirling
caliope-like in my head on the way down,
"...billy joe mcalister jumped
off the talihatchee bridge."


(c) jim hill (12-30-09)

Untitled (for Shonnie 2)

what did i like
and how did it feel?

although it's been some time
ages actually
i can't say i've had a lot 
of activity between
the ears. i must be the same
if i still recognize what i know
to be what it is. don't argue
just kiss me and say you don't 
remember me just the way i was

i've got an arrangement with the clock:
he doesn't question my choices
i don't stare at him for quicker 
hands

the hair about her face was
first loosely curled
and she wore sweaters
jeans a locket or two
she was sweet but turbulent
tasty but fizzy too - there was a bite
at the end - like a special trap
to be sprung
i was in her orbit
and waited with
quickened pulse
at the prospect of a glimpse
or a brush of her hair
a wave of her hand
she tended not to listen
to compliments
like she knew the truth about herself
and refused to be out-argued

i knew my own truth of her
and i would cross no line
that held her back
held her to vows
both private and public
what was it about her that
propelled me to respect her honor?  could she
not see and know that i was like any other
man: salivating, sweating, hard and panting, lying
through curled lips
and all the rest. 

what kept you out of my arms
out of my bed
but wrapped in my heart like
the most expensive candy - unopened
exquisite. why did i weaken and refuse to
fight for the freedom of your choices
was i not a patriot - pledging allegiance
to all that i perceived as your wishes
and autonomy. sovereignty, shonnie,
and all else,
was always yours.


(c) jim hill (12-30-09)

untitled (for no one)

it's been awhile
since i called you
a whore
and made it stick
i paid for a fuck
but you charged for a lick.

i see white skinny legs
in the little red skirt
stacked heels
and some sort of fur stole.
your sores were like jewels
and didn't offend
on you, they looked like foreign
reliquary placed there by clergy.

you called me names
as you stormed past
the po-leece found you
hitching on the canyon road
'round dusk. talking out of your
head like someone else controlled
your voice- like a liquid marionette. i posted bail
but didn't escort you out. once on the street
you gave a guy a blow job for some change
i think then you called your mom
months later you got clean - again -
and studied
the quaran - or however you spell it
i think you even vowed to kill cat stevens
for derailing the peace train, there was no
turning back once you made up your mind.
it's like the script-writer that penned all your
episodes
had a thing for pussy
and controlling people with it
you kept the knife as a back up
in case you couldn't talk your way
out of the trouble. i think you killed that
guy only 'cause you heard that johnny cash song
about killing a man just to watch him die.

whatever code propels you in your pursuits
it's not of this world. your windows look out
but no one can see in. when you died
it was like the angels had turned into bikers
and jesus had a softtail for a donkey. whatever portion
of heaven has been saved for you, please remember
to acknowledge the landlord. He likes that.

(c) jim hill (12-30-09)

Sunday, December 27, 2009

untitled

the winter
is witness
to the wideness
of an expanding

slumber
that stretches
its nap into
spring.


(c) jim hill (12-27-09)

untitled (for)

soon i'll see you
in the waves
and in the air
your hair
will choke me
and i'll like
the moment
as it was
when the devil
left only
his tail and staff.


(c) jim hill (12-27-09)

Saturday, December 26, 2009

untitled

My Bible
has a hole
where Jesus
goes in and out -
like the breathing
of His Father.

Mary seeks
sanctuary, and has
chosen
to reside
only in the spaces
allowed by God - 
between the believers
and the non. 

Hers is
the home where
the pictures above
the hearth
are fuzzy and faint
and signed by an
unknown Hand.

People still
bow and pray
to her as the Mother
of the Son - forgetting
and offending -
the Chosen
and the One.

(c) jim hill (12-26-09)

untitled

you look for the tracks 
of my 
southern culture
on its last skid
past the row-houses
and shotgun shacks
where we once hid

my trademark medallion
under layers of gold

i've got a chestful
of expansion
giving you the old
heave-ho.


(c) jim hill (12-26-09)

Untitled (i heard a song and thought of it)

It’s like your

Scissor-hands

(your scissor-hands)

have cut me

down to size

they hold me

at the throat

and bend

the notes

of every sigh

every bullet’s

bark

and trigger’s

spark

lurk like danger

in the dark

the saving

grace

of sparrow’s lace

feathering

the park.

I walk the path

Just out of sight

The bush around

The bend

And tirelessly

Await the next ambush

Set at

This journey’s end.


(c) jim hill (12-26-09)

untitled

i hear
the bird
wings flutter

away
from the familiar

i'm left
with
their home -
to hide myself

in the sticks and spit
of their abandoned
detritus.

(c) jim hill (12-26-09)

untitled

i was a cowboy
rode your ghost
hard to the north end

i left it
heaving
and foaming
under saddle -
to die alone
in a drift

i hitched
back -
in time
for yule
and foolish gifts

sadder still
to be left
with no
more
than a ghoulish
notion -
faded red
bleached blood
drying in the
arctic sun.

(c) jim hill (12-26-09)

Saturday, December 12, 2009

Saturday

 I didn’t know I was bored

Until I saw what others

Did with their time

 

Didn’t know I

Couldn’t do something

Until someone spoke

Through me

Of impossibility

 

These are not

Words

To entertain/

My song is in sync

With the whoosh whoosh

Of the needle

 

And in that space

Between the grooves

The record

Finds my voice

 

Full and rich

In the palette

Of the nearly

Retired.

 

 

                                    (c) jim hill (12-13-09)

Tuesday, December 8, 2009

twist sugar

Twist, sugar (in the wind)

Turn, toward me (in my mind)

 

Shake the last of leaves

And step inside

This may take awhile

 

I know it’s cold

And I apologize

We shouldn’t be here

But where else?

Ah, what is it –

You shouldn’t…

I know I know

Nothing can be taken back

How did it get to this point

Were we both looking the other

Way

When time robbed us

Of ourselves

And mocked what we were.


(c) jim hill (11-25-09)

to dorothy now dead

for my mother 

who didn't make

it this far

i've walked after

you couldn't

and should've walked

farther but didn't

these are regretful tears

and no joy of man's desiring.

you misplaced the grave early

on and when i looked twice

you weren't there to give me clues

to find the sister i didn't know. 


(c) jim hill (5-11-09)

lady parts

touching

lady parts

i'm thrilled

to be included

the parting

and pairing

sharing what 

seems like the 

end to me.


i will

i wheel

roll over

your ocean

and stick

in mud

in shallows


and swallow

nothing.

should i?


miles are

nothing

space. time.

they are just 

obstacles

destroyed

by will

wheeling

into israeli

strongholds -

walls wailing

in ancient solitude.


(c) jim hill (5-04-09)

Sunday, December 6, 2009

THE PRESBYTERIANS

He had a look of complete surprise

When they called his number

His hand clenched

The wheel so tightly

The metal car horn

Shattered in two.

His daughter cried

Quietly –

Made no mention

Of her intense sadness –

Rather passed on the denial

Like a bowl

Of shelled peas

At Sunday dinner.

 

 

                                    (c) jim Hill (12-31-01)

ANGEL

My Angel

Walks softly

Through my sleeping heart.

In pink velvet toe shoes

She peddles

A quiet revival.

 

                        (c) jim Hill (12-26-01

(WHAT) YOU SAY (RSVP)

You say

It’s bad,

Yet it’s worse.

 

The degrees by which

You stretch

And bend

Your own rules.

 

My, how the liberty

Asserts itself

Enough

For you to vacate

The idea’s

Very expansion.

 

The paper will

Remain white

And therefore

Free

To extend this invitation.

 

 

                                    (c) jim hill (10-13-05)

WOLFIE'S BLESSED FORTUNE

We walk together

Hand in paw

 

I thank God

You’re not a carnivore

 

Anymore.

 

The love of the countryside

And starvation

 

Keeps this anorexic man

At your feet

 

Picking scabs

Hoping for something delicious to eat

 

 

                                    (c) jim hill (10-12-04)

UNTITLED (I DIDN'T ASK)

i didn't ask

how she lost her fingers

she forgot to say thank you

when i told her of the jail

 

i took it out while walking

through the parking lot at walgreens

don't know what made me do it

other than offering the excuse

that it needed air

i know that before the cop arrived

all was well

 

she, on the other hand

sang a different tune and rode on the fame

of being afraid of the moon

which brings to mind the notion

of saying goodnight to that familiar satellite

 

see how all is connected and all is well

the kingdom survives with every remembered tale

we look this way and that

but should offer nothing but a tip of the hat

to the one that thought it all up for amusement

 

 

 

                                    (c) jim hill (12-08-05)

UNTITLED (TRANSLATED FROM THE SPAMISH)

Those though,

rest ye

by way of a thousand forms.

Dry deeply

For one minute of sound sleep.

 

Red, dark among

The overcast skies

The sun morphs into a visual lullaby

For insomniacs.

 

Any leg would object to the moon’s ordered walk.

Or she

In the gun room

Answer ye. Answer please.

Every pay day in the city

Separates us more by layers

of love

and oceans a’plenty.


(c) jim hill (10-24-05)

UNTITLED

The words take shape

Over the empty page

That once reflected your shadow

Back at me.

 

In the instant you left,

Your void was filled by words –

Unspoken, only thought.

 

They fought to crowd your ghost

From all the rooms

You once called home.

 

And over time,

They came to be

All that was left of you.

And I inched my way into their acceptance –

A familiar face, like an old drinking buddy.

 

And, as I’ve spent more time with them

Than you, they are now more real

Than you ever were.

 

Why look past yourself for proof?

Are the ghosts conspiring

An impassioned return?

 

 

                                    (c) jim hill (7-25-05)

TREFOIL OF THE DADA KING

A lace cuff

Yes

A commanding view

Of Gala’s back

(with a violin’s f-hole inscription):

to my lover

in her castle

I’ll be back

As a madman

Someday.

 

                                    (c) jim hill (7-23-03)

TOUR (THROUGH THE VANITY)

The tour

Through the pictures

Startled me

 

I believe it was

The shock

Of knowing

There are no repeat performances

 

Her dressing table

Is

As it was

Empty of my image

Seated next to her

 

The reflection of her splendor

Is now missing 

from the closest,

friendliest

Eyes

Ever to have watched her.

 

 

                                    (c) jim hill (2-6-03)

LOVE STORY

 

A guise gusseted

In rustic fashion

The desert carved

In a skull’s formation

 

Rich man’s furtive

Complicity

Carved and cavernous

In the echo of a wish.

 

 

                                    (c) jim hill (7-02-03)

YODEL MOUNTAIN

A sad refrain

Comes back to me

In echoed

quarter time

 

To mark the spot

where I fell

in a holler

Far behind.

 

 

                                    (c) jim hill (7-2-03)

THE PSALMIST 2

The vast assembly

Part of a much vaster array

Of humanity

 

The sum of my parts

Equal to

The potential

 

Of each part

To live

Up to its blueprinted mandate.

 

 

                                    (c) jim hill (4-09-03)

THE PSALMIST

As leader

I’m sustained

In the word

To vindicate

My cheating heart

To compromise

My place in

The loins

Of God.

 

 

                                    (c) jim hill (4-09-03)

UNTITLED (FOR A MOTHER)

Archaic

By your standards

The hint of amber in the color

Of the skin

Dusty –somewhat

Like Oklahoma

In my mother’s earliest days

 

As I recount her time there

Here

And beyond

It occurs to me

I never really knew her

Nor would she allow intrusion

Into her misery

 

Her knotted limbs

Reminded one

That

The growing things

Are often off-limits

In God’s carefully tended

Garden.

 

 

                                    (c) jim hill (3-14-03)

THE NEWEST LANGUAGE

The newest language

Requires the least

Attention

To history

This sound

That sound

Conjugate

What?

Nominative

Accusative

All Cases

For sissies

I’m in it for a way

To express

The drumbeats in the brain

No codex

No indeces

Forward

Or nowhere

Is my creed.

 

 

                                    (c) jim hill (7-23-03)

SHORT VERSION

 

Drinking all night

Has got you all mixed up,

Hasn’t it?

 

You don’t know who you are

Where you’re going

You take each moment

As a blow to the head.

 

 

                                    (c) jim hill (3-14-03)

SCRUFF TERRIER

The evil twin

Eats your bed

Your sheets

With relish

 

The folds of the night sky

Give shape

To a hooded, horny gesture

The strut is forgiveness

Turned inward.

 

 

                                    (c) jim hill (2-19-03)

SCRIM

The outline

Of the tree

Takes on the breadth

of the sky

In the wake

Of the afternoon’s

Rush

to conclude.

 

 

                       (c) jim hill (3-28-03)

RECONDITE MAZE OF THE WISH BOOK

Black stroke trestle falls

As optic forces stride

Through figments

Of phallic thumbs,

Poised for a vertical hitch-hike.

 

 

                                                (c) jim hill (2-19-03)

PROTECT YOUR PUZZLE

As organic an assistant

As you could ever want.

The time to tease is past.

 

Jewels to win you?

I don’t think it can be done.

You’ll die alone

As each of us do.

 

 

                                    (c) jim hill (3-14-03)

PRETTY POISON

It's how you look to me:

The reddest of inedible berries

In a love-starved world.

 

 

                                    (c) jim hill (2-25-03)

SEASON

My nesting phase

Is complete:

 

Soon the winter’s

Branches

Will leave traces

On the blank faces

Of summer loves.

 

 

                                    (c) jim hill (9-26-03)

MY IDEA OF THE WEST

First you travel

(in that direction)

you bend your knees

and take that first drink

you hitch as far as you can

sleep under the tables

wherever necessary

you play the guitar of course

else where would the songs

come from?

 

 

                                    (c) jim hill (3-14-03)

MISQUOTING THE MADDER PONIES

One of the “itises”

I forget which

Perhaps one of the phobic brothers –

Claustro or Arachno,

Or sister Agora

Anyway, something or somebody is scaring me

And it can’t go on.

 

It’s time to root out the evil gene

Crush the weak chromosome

At the very least find someone

To prescribe something

to

make the voices stop

to

keep my hands from lifting the shop

Keep my pulse from racing the clock

 

After much thought

And a conversation with the angry combatants

I’d best be served by reason to

Kick against the covers

At thunder’s signal - chew up all the fences.

Bury the hatchet

deep 

into the split-tail lovers.

 

                                    (c) jim hill (4-8-03)

CURIOS

Little curios

A bit of a knack

For bric-a-brac

 

I fold

Into

Your lap

At nap time

And foist

My cat-like loyalty

On your unsuspecting

Skin.

 

 

                                    (c) jim hill (12-17-03)

HAPPY

Happy? and

As you ask me

That same question

I deny the real answer,

Content

As I am

To have you examine

Me from this great distance,

A prisoner

locked

In the confines of now and then.

 

 

                                    (c) jim hill (3-14-03)

PARADISE

Given up for dead

In a surrealist’s paradise

The backstroke leads

Some back home.

 

The found objet d’art

Is no place for comfort

Rather confronting

The mind resolutely.

 

I’ve found that testing

Your courage

Saps my strength

Daily:

The mind no match

For a sweating

Heaving muscle.

 

 

                                    (c) jim hill (7-23-03)

GARDEN

Overgrown now,

Paradise has the look of ordered action

Becoming stilled

The words of the world – of people –

can describe

Action that has become stilled,

But there is a more pressing desire

For the garden

to return to its natural state.

 

i want a simple life

when my

garden has found its way to ruin.

i  want to live always in the late afternoon

in the spring or fall –

to hear church  bells ring for the last time of day.

to watch the shadows grow longer, 

then disappear, yielding themselves

to darkness.

 

 

                                                            (c) jim hill (5-09-03)

FOX MUSETTE

In this light

She sings like

A toy

Chantuese,

 

Her arms

Mechanically poised.

 

A wounded dreamer

In song

her words

Are edicts

Of an empathetic

Raisonne d’etre.

 

 

                                    (c) jim hill (3-03-03)

FIRESTARTER

I’ve still got a pulse

So the rumor’s true

 

The boy

In the man

 

Wants to leave

All that silliness behind

 

He counts to ten

Before stuffing the rag

 

And stiking

The match.

 

 

                                    (c) jim hill (2-17-03)

FALLING BOWLERED GENTLEMEN

René sank into

Georgette’s arms,

Hurt by the damage

Of raining men

And the world

outside his 

perfectly rendered

Dada umbrella.

 

 

                                    (c) jim hill (3-03-03)

EVIL ROBOT KING

 

The mercy killings start

In the heart

 

The house in the photo

Is an indicator

 

Of what we know

Of the land

 

The strength it takes

To build and maintain.

 

Something happens

To the stories

 

We tell ourselves

Late at night

 

They become longer

More thrilling

 

We liken ourselves

To be the heroes and heroines

 

We urge darker skin

On the unsuspecting

 

Victim

In the mirror.

 

 

                                    (c) jim hill (2-27-03)

ENTER THE DARK

1.

 

I offered myself to her

As a man would:

Extending himself

In the warm dark

 

2.

 

Ready to do the calming work

Of settling the nerves

Of straightening a course

Too long serpentine.

 

3.

 

Too cold to speak

The words would just stick

And we’d forever catch

Ourselves

Naked in the barrenness between speech and thought.

 

 

                                    (c) jim hill (9-26-03)

ELEPHANTVILLE

 

Limbs heavy and

Tired from storming

The sleepy villages

The mad elephant

Let loose in his car

Bound for bulimia.

 

 

                                    (c) jim hill (4-07-03)

DOCTORATE

Now that the registrar

Has logged you as missing in action

It’s up to me

To determine

Where the benefactor

Wants the nameplate.

 

 

                                   (c) jim hill (2-19-03)

CRAZY HORSE ON CALIFORNIA WINE

The green days

Have all passed

The east sucked into the coastline

Cinched at the throat

By an over-zealous halter –

lassoing the foam

on the beach.

 

 

                                    (c) jim hill (3-14-03)

ARTIFICIAL DUSK

Solid but ethereal

The forms

At the lake

And on the road

Beyond the fence

And in the wind

Are scarecrows

From your past.

You see them as

Signposts for your future

But yours is the way

Of always.

Denying them would be your

Ruin.

And your shadow would sink

Into a community of darkness,

The bodies piled in ever larger

Black clusters.

 

 

                                    (c) jim hill (3-03-03)

CAGE

And as she takes

Her meals

Sucks as a bird

On the smallest of worms.

 

Her path

Marked by stars

And shimmering planetary

Alignments

 

The day is beginning

To grow tired

With the motions

Of the rocking matrons.

 

 

                                    (c) jim hill (3-14-03)

STAR CLUSTER

But to straighten

the folds

Of her dress

Circling

The nape

Of her neck

with my tongue:

 

Could not take

My eyes away

From skin

So white

It shone

In solid star-like

Forms

O, to rename

Her constellations.

 

 

                                    (C) jim hill (4-23-03)

BOOTLEG MUSEUM

We heard the song

Then cursed our ears

 

Discordant murmur

Not our cup of tea

 

But with time

And all that passes

 

We came to like

The sound

 

And bought

Its brilliance

 

To surround

Our thoughts.

 

 

                                    (C) jim hill (10-22-03)

1997

I don’t remember saying,

I’m a natural man.

I couldn’t pretend (and make it believable)

Something so grand.

 

The course of my days

Run counter to my dreams

I think I see them wave

At each other in passing.

 

There’s now no fierceness

In my sneer

When I find the energy.

Most often I’m in the nether-world

Of clouds, drifting between

Remembering and forgetting

Hoping and dying.

 

I often find myself

Waiting for magic

To whisk me away

To some paradisaical habitat

A climate of my liking.

 

All my mysteries

Have been revealed

Bringing to level ground

The curve and course

That marks me.

 

 

                                    -jim hill (4-23-03)