Thursday, April 21, 2016

BLACKSTAR/DEATHSTAR

Got high on pot
Last week
And cried to myself
at Bowie's
Swan songs: awash
I was
In layered sound 
And echoed folds.
His personae
Laid out
In funeral clothes
Before they
And he
Were laid down
For good.

-jim hill (4-13-2016)

RICOCHET


There came a time when
What I had for defense -
A little white quilt
And plastic sword -
Were no match
For what lurked
In my closet
Or slept under my bed.

No, there were
Different strategies
As I grew older:
An insistence
That my closet doors
Remain shut
And that my bed be high
Enough from the floor
So that any clearance for
For a person or thing hiding under it
was also of
Such a distance that I could
Use the certainty of the ceiling
to my advantage –
To push off, if necessary,
Toward speedy
Ricocheting getaways.



                                    -jim hill 7-28-2015

WORDS WILL WAKE YOU

Pope is dope.
Chakra con.
May tricks.
Public anemone No. 1

would that a climax last forever in your fertile fields (and folds); silent seed to splatter and splash; cum what may; in tiny euphoric
offsprings. 

in a tiny box
you and i do dwell; 
doing well
to remember 
the limits 
of our time & space.

over the fire love warms our hands/cauterizing deep wounds

Mardi Gras: revel, then retreat to repent

i should've been your saviour in the afterlife.

i've buried the parts i kept from you. now that time and distance have conspired to keep us apart, I rest, assured to know deep secrets are secure.

She is her own creator; the altar a place for adornment and self-adoration.

playing a bit
of dress-up
today, hoping
you don't mind
my endless 
charade -
it's how I
try
and try it on
for sighs.

the ties that bind
are chains in time.
calling us to collide
In our last 
head-on to freedom.

-jim hill (4-3-2016)

MIRROR MAN

Lips poised
At mid-pucker

I made the day
About me

glam-poise
Positioned for

Notoriety 
And notice

Lest not
And least not

Narcissus 
Lose his way.

-jim hill 4-7-2016

VIGNETTE

Staring out at the yard
I take long sips on a drink:

Strip to my shorts
When I eat your food
Meat cooking 
Out on the spit

you've not seen me in my prime 
When I would woo
A girl like you
a favored passion
On the scene.

I'd lick your bangs
Demand your face
be addicted
To both time and place

I'd have my way
At dressing you
In a downtown
Storefront stall or two

You'd have me as 
You wanted them
Dressed me down
And singing hymns

Your mom's vicar
I could not be
Having no faith
In the trinity

I wanted you 
The grown-up you
Skipping over
A decade or two

(how could I
Not want that face?
History left
Without 
A trace)

-jim hill (4-4-2016)

FRAMEWORK

I seem to be looking
for a frame on which
To hang my character's
Commitment to
Ways and means -  a construct 
Steady
And strong 
Unfazed by forfeiture 
Or failure. The lines he and I 
Have spoken
Have often been written for someone else
For some other iteration 
Of the hero before 
A hard fall.

You yourself
Have said you've 
Stopped looking 
For a savior -
Happy with
The one with
Which you grew:
One who nurtured
Your change
From shy
And inconspicuous girl,
Silly with her dreams,
To full maturity, 
A Tigress
Burning brightly
in the forge
Of musts and needs.


-jim hill (3-28-2016)

ONE DAY

One day all is well: 
the flowers are blooming, 
no dogs are nipping at your ankles 
as you ride your bike fast and hard. 
The wind is just right, 
your homework is done and 
there's no school tomorrow. 
The days last as long as you want them to. 
Friends test and tease 
until the light dies out 
and the night games begin.

-jim hill (3-22-2016)

OF OURSELVES

Of ourselves 
I dare say this:
If the shelves
Are full we're
Satisfied; if not
We are the ones 
Who feel depleted and
Ruined by poverty. What
Had we done wrong? What
Did we do or not do,
To have this shame visited
On us? Weren't we good
To the kids? Hadn't we tithed
In the manner prescribed for us?
Would that be a vindictive God
Handing out harsh treatments as
Tests of faith? Had we been praying 
Correctly, using the right name: "YHWH?" 
An answer, as yet,
Has not been shouted
From the void.

-jim hill (3-22-2016)

PULLING BACK THE PILING UP (PART 1)

We pulled the carpet back
from the concrete floor
of the living room
In that old squatters’ house,
Piling the canvases and panels high
Breaking the wooden stretcher bars
Then finally pouring starter fluid
On the assembled mass. One match
And the blaze began. As the paintings
Curled up and the images melted into
One another I instructed my wife to
Pull out all the drawers of our oak
Teachers’ desk and bring them to
The sacrifice. Manila folders full
Of  letters and poems
Some finished some barely started
This was to be the end of it. We were
Starting over and birthing ourselves
In the fire that signifies endings
Of one phase the beginning of another.

How had it come to this when our future
Seemed at first so bright? Was there just
Not enough sub-structure or careful planning
And engineering to live out the best ideas
Of ourselves? Was it that time, once realized
As fleeting and unforgiving, had condensed so
Quickly in our later years that we couldn’t bear
To see how we’d each de-evolved: I morphing
Into the worst shadow imitation of my father
And she cowering at its magnification and
Engulfing darkness?

I thought of my father now
Of his evening attire
At the dinner table: boxer shorts and no
Shirt he always sat Indian-style at his place
At the head of the oval particle board table.
This was the same place he used when he would
Pull out a linoleum knife from our utility drawer
And start trimming the callouses from his feet.
The same place where he wouldn’t speak
Hardly grunt the noise coming from his
Open-mouthed chewing enough to drive
Away any thoughts we would have of conversing.
We didn’t talk at the table as he seemed
To anger in a slow burn towards what we feared
Would be an ultimate explosion.

Never saw them share an intimate moment
A kiss, caress, any resemblance to tenderness
Or thoughtfulness toward one another – their silences
Indicated that all the words had been said before,
Perhaps when their first child died
And my mom’s black cloud of poverty
And death from her own childhood came on
Into the post-war prosperity to spoil the fun.

No talk of relatives living or dead really – just
A “we’re coon-asses,” from dad on New Years Day when
We’d drive the 30 miles to Anahuac for a holiday meal with
My Dad’s Uncle Lowell and Aunt Katherine. There would be
Plenty of drinking – both beer and spirits – sausage balls,
Gumbo, and cigarettes. Sometimes the light-skinned Negro
Family would come mid-afternoon to join the festivities . Perhaps
They were of French origin too mixed with Native American/Indigenous
Blood too. Everyone thought the daughter was beautiful
But what I saw were more Downs Syndrome type features. Funny
To see my Dad fawning all over these people when only a short time
Before he was all “nigger this and nigger that” condemning a whole
Race. He treated those folks better than family because he was at least nice to them. I’d seen that before – his willingness to be cordial and generous with what were strangers to us. It was like he needed their approval and love but could show
His own family none.

My grandmother, Alyce, would accompany us to Anahuac, but didn’t seem to fit in with the robust gathering. She’d already faded into a rather cloudy-eyed hymn hummer when these annual get-togethers began. Because my sister and I had been born to older parents I got the sense that we had come late to the party. There was a lot of history within this group that we’d missed and would never know.



-jim hill (4-22-2015)