Wednesday, December 30, 2009
Untitled (for Shonnie 2)
untitled (for no one)
Sunday, December 27, 2009
untitled
untitled (for)
Saturday, December 26, 2009
untitled
untitled
Untitled (i heard a song and thought of it)
It’s like your
Scissor-hands
(your scissor-hands)
have cut me
down to size
they hold me
at the throat
and bend
the notes
of every sigh
every bullet’s
bark
and trigger’s
spark
lurk like danger
in the dark
the saving
grace
of sparrow’s lace
feathering
the park.
I walk the path
Just out of sight
The bush around
The bend
And tirelessly
Await the next ambush
Set at
This journey’s end.
(c) jim hill (12-26-09)
untitled
untitled
Saturday, December 12, 2009
Saturday
I didn’t know I was bored
Until I saw what others
Did with their time
Didn’t know I
Couldn’t do something
Until someone spoke
Through me
Of impossibility
These are not
Words
To entertain/
My song is in sync
With the whoosh whoosh
Of the needle
And in that space
Between the grooves
The record
Finds my voice
Full and rich
In the palette
Of the nearly
Retired.
(c) jim hill (12-13-09)
Tuesday, December 8, 2009
twist sugar
Twist, sugar (in the wind)
Turn, toward me (in my mind)
Shake the last of leaves
And step inside
This may take awhile
I know it’s cold
And I apologize
We shouldn’t be here
But where else?
Ah, what is it –
You shouldn’t…
I know I know
Nothing can be taken back
How did it get to this point
Were we both looking the other
Way
When time robbed us
Of ourselves
And mocked what we were.
(c) jim hill (11-25-09)
to dorothy now dead
for my mother
who didn't make
it this far
i've walked after
you couldn't
and should've walked
farther but didn't
these are regretful tears
and no joy of man's desiring.
you misplaced the grave early
on and when i looked twice
you weren't there to give me clues
to find the sister i didn't know.
(c) jim hill (5-11-09)
lady parts
touching
lady parts
i'm thrilled
to be included
the parting
and pairing
sharing what
seems like the
end to me.
i will
i wheel
roll over
your ocean
and stick
in mud
in shallows
and swallow
nothing.
should i?
miles are
nothing
space. time.
they are just
obstacles
destroyed
by will
wheeling
into israeli
strongholds -
walls wailing
in ancient solitude.
(c) jim hill (5-04-09)
Sunday, December 6, 2009
THE PRESBYTERIANS
He had a look of complete surprise
When they called his number
His hand clenched
The wheel so tightly
The metal car horn
Shattered in two.
His daughter cried
Quietly –
Made no mention
Of her intense sadness –
Rather passed on the denial
Like a bowl
Of shelled peas
At Sunday dinner.
(c) jim Hill (12-31-01)
ANGEL
My Angel
Walks softly
Through my sleeping heart.
In pink velvet toe shoes
She peddles
A quiet revival.
(WHAT) YOU SAY (RSVP)
You say
It’s bad,
Yet it’s worse.
The degrees by which
You stretch
And bend
Your own rules.
My, how the liberty
Asserts itself
Enough
For you to vacate
The idea’s
Very expansion.
The paper will
Remain white
And therefore
Free
To extend this invitation.
(c) jim hill (10-13-05)
WOLFIE'S BLESSED FORTUNE
We walk together
Hand in paw
I thank God
You’re not a carnivore
Anymore.
The love of the countryside
And starvation
Keeps this anorexic man
At your feet
Picking scabs
Hoping for something delicious to eat
(c) jim hill (10-12-04)
UNTITLED (I DIDN'T ASK)
i didn't ask
how she lost her fingers
she forgot to say thank you
when i told her of the jail
i took it out while walking
through the parking lot at walgreens
don't know what made me do it
other than offering the excuse
that it needed air
i know that before the cop arrived
all was well
she, on the other hand
sang a different tune and rode on the fame
of being afraid of the moon
which brings to mind the notion
of saying goodnight to that familiar satellite
see how all is connected and all is well
the kingdom survives with every remembered tale
we look this way and that
but should offer nothing but a tip of the hat
to the one that thought it all up for amusement
(c) jim hill (12-08-05)
UNTITLED (TRANSLATED FROM THE SPAMISH)
Those though,
rest ye
by way of a thousand forms.
Dry deeply
For one minute of sound sleep.
Red, dark among
The overcast skies
The sun morphs into a visual lullaby
For insomniacs.
Any leg would object to the moon’s ordered walk.
Or she
In the gun room
Answer ye. Answer please.
Every pay day in the city
Separates us more by layers
of love
and oceans a’plenty.
(c) jim hill (10-24-05)
UNTITLED
The words take shape
Over the empty page
That once reflected your shadow
Back at me.
In the instant you left,
Your void was filled by words –
Unspoken, only thought.
They fought to crowd your ghost
From all the rooms
You once called home.
And over time,
They came to be
All that was left of you.
And I inched my way into their acceptance –
A familiar face, like an old drinking buddy.
And, as I’ve spent more time with them
Than you, they are now more real
Than you ever were.
Why look past yourself for proof?
Are the ghosts conspiring
An impassioned return?
(c) jim hill (7-25-05)
TREFOIL OF THE DADA KING
A lace cuff
Yes
A commanding view
Of Gala’s back
(with a violin’s f-hole inscription):
to my lover
in her castle
I’ll be back
As a madman
Someday.
(c) jim hill (7-23-03)
TOUR (THROUGH THE VANITY)
The tour
Through the pictures
Startled me
I believe it was
The shock
Of knowing
There are no repeat performances
Her dressing table
Is
As it was
Empty of my image
Seated next to her
The reflection of her splendor
Is now missing
from the closest,
friendliest
Eyes
Ever to have watched her.
LOVE STORY
A guise gusseted
In rustic fashion
The desert carved
In a skull’s formation
Rich man’s furtive
Complicity
Carved and cavernous
In the echo of a wish.
(c) jim hill (7-02-03)
YODEL MOUNTAIN
A sad refrain
Comes back to me
In echoed
quarter time
To mark the spot
where I fell
in a holler
Far behind.
(c) jim hill (7-2-03)
THE PSALMIST 2
The vast assembly
Part of a much vaster array
Of humanity
The sum of my parts
Equal to
The potential
Of each part
To live
Up to its blueprinted mandate.
(c) jim hill (4-09-03)
THE PSALMIST
As leader
I’m sustained
In the word
To vindicate
My cheating heart
To compromise
My place in
The loins
Of God.
(c) jim hill (4-09-03)
UNTITLED (FOR A MOTHER)
Archaic
By your standards
The hint of amber in the color
Of the skin
Dusty –somewhat
Like Oklahoma
In my mother’s earliest days
As I recount her time there
Here
And beyond
It occurs to me
I never really knew her
Nor would she allow intrusion
Into her misery
Her knotted limbs
Reminded one
That
The growing things
Are often off-limits
In God’s carefully tended
Garden.
(c) jim hill (3-14-03)
THE NEWEST LANGUAGE
The newest language
Requires the least
Attention
To history
This sound
That sound
Conjugate
What?
Nominative
Accusative
All Cases
For sissies
I’m in it for a way
To express
The drumbeats in the brain
No codex
No indeces
Forward
Or nowhere
Is my creed.
(c) jim hill (7-23-03)
SHORT VERSION
Drinking all night
Has got you all mixed up,
Hasn’t it?
You don’t know who you are
Where you’re going
You take each moment
As a blow to the head.
(c) jim hill (3-14-03)
SCRUFF TERRIER
The evil twin
Eats your bed
Your sheets
With relish
The folds of the night sky
Give shape
To a hooded, horny gesture
The strut is forgiveness
Turned inward.
(c) jim hill (2-19-03)
SCRIM
The outline
Of the tree
Takes on the breadth
of the sky
In the wake
Of the afternoon’s
Rush
to conclude.
(c) jim hill (3-28-03)
RECONDITE MAZE OF THE WISH BOOK
Black stroke trestle falls
As optic forces stride
Through figments
Of phallic thumbs,
Poised for a vertical hitch-hike.
(c) jim hill (2-19-03)
PROTECT YOUR PUZZLE
As organic an assistant
As you could ever want.
The time to tease is past.
Jewels to win you?
I don’t think it can be done.
You’ll die alone
As each of us do.
(c) jim hill (3-14-03)
PRETTY POISON
It's how you look to me:
The reddest of inedible berries
In a love-starved world.
(c) jim hill (2-25-03)
SEASON
My nesting phase
Is complete:
Soon the winter’s
Branches
Will leave traces
On the blank faces
Of summer loves.
(c) jim hill (9-26-03)
MY IDEA OF THE WEST
First you travel
(in that direction)
you bend your knees
and take that first drink
you hitch as far as you can
sleep under the tables
wherever necessary
you play the guitar of course
else where would the songs
come from?
(c) jim hill (3-14-03)
MISQUOTING THE MADDER PONIES
One of the “itises”
I forget which
Perhaps one of the phobic brothers –
Claustro or Arachno,
Or sister Agora
Anyway, something or somebody is scaring me
And it can’t go on.
It’s time to root out the evil gene
Crush the weak chromosome
At the very least find someone
To prescribe something
to
make the voices stop
to
keep my hands from lifting the shop
Keep my pulse from racing the clock
After much thought
And a conversation with the angry combatants
I’d best be served by reason to
Kick against the covers
At thunder’s signal - chew up all the fences.
Bury the hatchet
deep
into the split-tail lovers.
(c) jim hill (4-8-03)
CURIOS
Little curios
A bit of a knack
For bric-a-brac
I fold
Into
Your lap
At nap time
And foist
My cat-like loyalty
On your unsuspecting
Skin.
HAPPY
Happy? and
As you ask me
That same question
I deny the real answer,
Content
As I am
To have you examine
Me from this great distance,
A prisoner
locked
In the confines of now and then.
(c) jim hill (3-14-03)
PARADISE
Given up for dead
In a surrealist’s paradise
The backstroke leads
Some back home.
The found objet d’art
Is no place for comfort
Rather confronting
The mind resolutely.
I’ve found that testing
Your courage
Saps my strength
Daily:
The mind no match
For a sweating
Heaving muscle.
(c) jim hill (7-23-03)
GARDEN
Overgrown now,
Paradise has the look of ordered action
Becoming stilled
The words of the world – of people –
can describe
Action that has become stilled,
But there is a more pressing desire
For the garden
to return to its natural state.
i want a simple life
when my
garden has found its way to ruin.
i want to live always in the late afternoon
in the spring or fall –
to hear church bells ring for the last time of day.
to watch the shadows grow longer,
then disappear, yielding themselves
to darkness.
(c) jim hill (5-09-03)
FOX MUSETTE
In this light
She sings like
A toy
Chantuese,
Her arms
Mechanically poised.
A wounded dreamer
In song
her words
Are edicts
Of an empathetic
Raisonne d’etre.
(c) jim hill (3-03-03)
FIRESTARTER
I’ve still got a pulse
So the rumor’s true
The boy
In the man
Wants to leave
All that silliness behind
He counts to ten
Before stuffing the rag
And stiking
The match.
FALLING BOWLERED GENTLEMEN
René sank into
Georgette’s arms,
Hurt by the damage
Of raining men
And the world
outside his
perfectly rendered
Dada umbrella.
(c) jim hill (3-03-03)
EVIL ROBOT KING
The mercy killings start
In the heart
The house in the photo
Is an indicator
Of what we know
Of the land
The strength it takes
To build and maintain.
Something happens
To the stories
We tell ourselves
Late at night
They become longer
More thrilling
We liken ourselves
To be the heroes and heroines
We urge darker skin
On the unsuspecting
Victim
In the mirror.
(c) jim hill (2-27-03)
ENTER THE DARK
1.
I offered myself to her
As a man would:
Extending himself
In the warm dark
2.
Ready to do the calming work
Of settling the nerves
Of straightening a course
Too long serpentine.
3.
Too cold to speak
The words would just stick
And we’d forever catch
Ourselves
Naked in the barrenness between speech and thought.
(c) jim hill (9-26-03)
ELEPHANTVILLE
Limbs heavy and
Tired from storming
The sleepy villages
The mad elephant
Let loose in his car
Bound for bulimia.
DOCTORATE
Now that the registrar
Has logged you as missing in action
It’s up to me
To determine
Where the benefactor
Wants the nameplate.
(c) jim hill (2-19-03)
CRAZY HORSE ON CALIFORNIA WINE
The green days
Have all passed
The east sucked into the coastline
Cinched at the throat
By an over-zealous halter –
lassoing the foam
on the beach.
(c) jim hill (3-14-03)
ARTIFICIAL DUSK
Solid but ethereal
The forms
At the lake
And on the road
Beyond the fence
And in the wind
Are scarecrows
From your past.
You see them as
Signposts for your future
But yours is the way
Of always.
Denying them would be your
Ruin.
And your shadow would sink
Into a community of darkness,
The bodies piled in ever larger
Black clusters.
(c) jim hill (3-03-03)
CAGE
And as she takes
Her meals
Sucks as a bird
On the smallest of worms.
Her path
Marked by stars
And shimmering planetary
Alignments
The day is beginning
To grow tired
With the motions
Of the rocking matrons.
(c) jim hill (3-14-03)
STAR CLUSTER
But to straighten
the folds
Of her dress
Circling
The nape
Of her neck
with my tongue:
Could not take
My eyes away
From skin
So white
It shone
In solid star-like
Forms
O, to rename
Her constellations.
(C) jim hill (4-23-03)
BOOTLEG MUSEUM
We heard the song
Then cursed our ears
Discordant murmur
Not our cup of tea
But with time
And all that passes
We came to like
The sound
And bought
Its brilliance
To surround
Our thoughts.
(C) jim hill (10-22-03)
1997
I don’t remember saying,
I’m a natural man.
I couldn’t pretend (and make it believable)
Something so grand.
The course of my days
Run counter to my dreams
I think I see them wave
At each other in passing.
There’s now no fierceness
In my sneer
When I find the energy.
Most often I’m in the nether-world
Of clouds, drifting between
Remembering and forgetting
Hoping and dying.
I often find myself
Waiting for magic
To whisk me away
To some paradisaical habitat
A climate of my liking.
All my mysteries
Have been revealed
Bringing to level ground
The curve and course
That marks me.
-jim hill (4-23-03)